Īt the same time that it established itself as the genesis of samba, the "Estácio paradigm" paved the way for its fragmentation into new sub-genres and styles of composition and interpretation throughout the 20th century. Once criminalized and rejected for its Afro-Brazilian origins, and definitely working-class music in its mythic origins, the genre has also received support from members of the upper classes and the country's cultural elite. Thus, samba has achieved major projection throughout Brazil and has become one of the main symbols of Brazilian national identity. In this process of establishment as an urban and modern musical expression, the Carioca samba had the decisive role of samba schools, responsible for defining and legitimizing definitively the aesthetic bases of rhythm, and radio broadcasting, which greatly contributed to the diffusion and popularization of the genre and its song singers. In this way, the sambistas of Estácio created, structured and redefined the urban Carioca samba as a genre in a modern and finished way. Also the "Estácio paradigm" innovated in the formatting of samba as a song, with its musical organization in first and second parts in both melody and lyrics. Its rhythmic change based on a new percussive instrumental pattern resulted in a more "batucado" and syncopated style – as opposed to the inaugural "samba-maxixe" – notably characterized by a faster tempo, longer notes and a characterized cadence far beyond the simple ones palms used so far. Today synonymous with the rhythm of samba, this new samba brought innovations in rhythm, melody and also in thematic aspects. Samba was modernly structured as a musical genre only in the late 1920s from the neighborhood of Estácio and soon extended to Oswaldo Cruz and other parts of Rio through its commuter rail. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", this pioneering style was much more connected from the rhythmic and instrumental point of view to maxixe than to samba itself. This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song " Pelo Telefone", launched in 1917. Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Having its roots in the Afro-Brazilian Candomblé, as well as other Afro-Brazilian and Indigenous folk traditions, such as the traditional Samba de Caboclo, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Samba is a broad term for many of the rhythms that compose the better known Brazilian music genres that originated in the Afro-Brazilian communities of Bahia in the late 19th century and early 20th century, having continued its development on the communities of Rio de Janeiro in the early 20th century. We are a growing company, fully intend to expand our business and it will be a plesure to have you as a part of our dream.Samba ( Portuguese pronunciation: i) is a name or prefix used for several rhythmic variants, such as samba urbano carioca ( urban Carioca samba), samba de roda (sometimes also called rural samba), recognized as part of the Intangible Cultural Heritage of Humanity by UNESCO, amongst many other forms of samba, mostly originated in the Rio de Janeiro and Bahia States. We are willing and able to know your needs, our team can communicate with you in Portuguese, English, Italian or Spanish. Carlos Greggio, 39 years old, graduated in Business and lived in Europe for eleven years, living in Ireland, Netherlands, Italy and the UK. Thiago Arena, 39 years old, graduated in Foreign Trade and lived a few years in the UK in the city of Milton Keynes and Goole. Here at Kombi for you in Brazil – São Paulo we take pride in giving customers a great experience under the Leadership of our owners Thiago Arena and Carlos Greggio. We are prepared to offer you a worldwide solution to final buyers, resellers and collectors by operating a network of specialists engaged in the search of Volkswagen T1 and T2 Buses, aircooled cars, classic cars or even any another model you may wish, also supplying you with any spare parts you may need. We are more than an import and export company.
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